Installation view 'Shirt Off Your Back' in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view 'Shirt Off Your Back' in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Discarded clothing, life jacket materials, Solar fast, Inkodye, tape, 2.8m x 1.6m. A collection of the eyes of refugee women and children printed on clothing discarded by refugees on Lesvos. These fabrics were collected, washed, and donated by Dirty Girls of Lesvos.

Khamsa (1).jpeg
'EYES for EYES: A Prototype' Installation at Garner Arts Center, May 2016

Photo-sensitive dye on discarded bedsheets quilted to emergency blankets from Lesvos, Greece, 21' x 21' x 2''A model for a larger work documenting the eyes of the thousands of volunteers, aid workers, and benevolent witnesses to the refugee crisis in Europe. Simultaneously exhibiting the altruistic feats of humanity and standing in as a memorial for the thousands who died in crossing the Mediterranean. 

'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.

A refugee boy clutching one painting of the 99 that comprise 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project', life jacket material, emergency blanket, paint, ink, and glue, 2016. 

Aubrey Roemer deeconstructing life jackets at Skala Sikaminias, in Lesvos, Greece, 2015. Photo courtesy of Nermin Ismail.
Aubrey Roemer deeconstructing life jackets at Skala Sikaminias, in Lesvos, Greece, 2015. Photo courtesy of Nermin Ismail.
Aubrey Roemer drawing portraits at Children's Protection Play Center at Refugee Camp Moria, 2015. Photo courtesy of Bob Miller.
Aubrey Roemer drawing portraits at Children's Protection Play Center at Refugee Camp Moria, 2015. Photo courtesy of Bob Miller.
Two sisters hand's traced at Children's Protection Play Center at Refugee Camp Better Days for Moria, 2015. Photo courtesy of artist.
Two sisters hand's traced at Children's Protection Play Center at Refugee Camp Better Days for Moria, 2015. Photo courtesy of artist.
A refugee child's hand traced at the Child Protection Play Center at Refugee Camp Better Days for Moria, 2015. Photo courtesy of artist.
A refugee child's hand traced at the Child Protection Play Center at Refugee Camp Better Days for Moria, 2015. Photo courtesy of artist.
Refugee men writing prayers and protests on life jacket swatches outside of Refugee Camp Tae Kwon Doe, in Athens, 2015. Photo courtesy of artist.
Refugee men writing prayers and protests on life jacket swatches outside of Refugee Camp Tae Kwon Doe, in Athens, 2015. Photo courtesy of artist.
Refugee men writing prayers and protests on life jacket swatches outside of Refugee Camp Tae Kwon Doe, in Athens, 2015. Photo courtesy of artist.
Refugee men writing prayers and protests on life jacket swatches outside of Refugee Camp Tae Kwon Doe, in Athens, 2015. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) are 'Shirt Off Your Back', 'A Bed To Lie In', and 'Untitled I'. Most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project', 'Untitled III' and 'Shirt Off Your Back'. Most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project', 'Untitled III', 'Shirt Off Your Back', 'Untitled II', and 'Untited III'. Most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'A Bed To Lie In', life jacket swatches, emergency blankets, digital negatives, cardboard, and tape, 30m x 30m, 'Build A Wall', two of five stretched emergency blankets embossed with marker, and a painting by IFAC gallery owner Lee Wells. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

One of five stretched emergency blankets and marker, embossed with the following prayer "In the name of GOD, the most powerful and merciful. Make a wall between us and them, to protect us, so that they cannot see us." This was one of the 33 prayers collected from refugee men, this was translated onto the five surfaces in English, Greek, Urdu, Farsi, and Arabic. A small painting by IFAC Athina gallerist, Lee Wells, hangs in the installation. 

Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Five stretched emergency blankets and marker, embossed with the following prayer "In the name of GOD, the most powerful and merciful. Make a wall between us and them, to protect us, so that they cannot see us." This was one of the 33 prayers collected from refugee men, this was translated onto the five surfaces in English, Greek, Urdu, Farsi, and Arabic. 

Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Five stretched emergency blankets and marker, embossed with the following prayer "In the name of GOD, the most powerful and merciful. Make a wall between us and them, to protect us, so that they cannot see us." This was one of the 33 prayers collected from refugee men, this was translated onto the five surfaces in English, Greek, Urdu, Farsi, and Arabic. 

Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Five stretched emergency blankets and marker, embossed with the following prayer "In the name of GOD, the most powerful and merciful. Make a wall between us and them, to protect us, so that they cannot see us." This was one of the 33 prayers collected from refugee men, this was translated onto the five surfaces in English, Greek, Urdu, Farsi, and Arabic. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

A collection of 99 pieces of life jacket and emergency blanket material from the Greek island of Lesvos, painted with hamsas comprised from hand tracings and eye renderings of 66 refugee women and children, along with prayers and protests from 33 refugee men. 

Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

A collection of 99 pieces of life jacket and emergency blanket material from the Greek island of Lesvos, painted with hamsas comprised from hand tracings and eye renderings of 66 refugee women and children, along with prayers and protests from 33 refugee men. 

Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

A collection of 99 pieces of life jacket and emergency blanket material from the Greek island of Lesvos, painted with hamsas comprised from hand tracings and eye renderings of 66 refugee women and children, along with prayers and protests from 33 refugee men. 

Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

A collection of 99 pieces of life jacket and emergency blanket material from the Greek island of Lesvos, painted with hamsas comprised from hand tracings and eye renderings of 66 refugee women and children, along with prayers and protests from 33 refugee men. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'Shirt Off Your Back', 'Untitled II', and 'Untitled I'. Most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) are 'Untiled II' and 'Untitled I', 2m x 3.5m, the gallery gates, cardboard and foamcore from the streets, emergency blankets, LEDS, marker and spray paint. These images are based on still photographs taken of a scrambled television screen in Qatar. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

'Untitled I', 2m x 3.5m, the gallery's gate, cardboard and foamcore from the streets, emergency blankets, LEDs, marker, and spray paint. This image is based on a still photograph taken of a scrambled television screen in Qatar.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

'Untitled III', a gate from the gallery, cardboard and foamcore from the streets, emergency blanket, LEDs, digital negatives on acetate, tape, and spray paint, 1.8m x 54cm. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Detail of 'Untitled III', a gate from the gallery, cardboard and foamcore from the streets, emergency blanket, LEDs, digital negatives on acetate, tape, and spray paint, 1.8m x 54cm. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'Untitled III' and 'Shirt Off Your Back', most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view 'Shirt Off Your Back' in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view 'Shirt Off Your Back' in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Discarded clothing, life jacket materials, Solar fast, Inkodye, tape, 2.8m x 1.6m. A collection of the eyes of refugee women and children printed on clothing discarded by refugees on Lesvos. These fabrics were collected, washed, and donated by Dirty Girls of Lesvos. Created from 77 photographs of eyes, which is representative of numerology associated with Jesus Christ and the most widely recognized number of branches in Islam, are the final component to this project. They represent the estimated 6,000 lives lost in the Aegean Sea.

Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Better Days for Moria Install'
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Better Days for Moria Install'
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.

A refugee girl clutching one painting of the 99 that comprise 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project'; life jacket material, emergency blanket, paint, ink, and glue, 2016. 

'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.

This painting is one of 99 that comprise 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project', made from life jacket material, emergency blanket, paint, and ink.

'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Metadrasi', 2016. Photo courtesy of Robert Miller.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Metadrasi', 2016. Photo courtesy of Robert Miller.

Children working on 'Khamsa' at Metadrasi's Unaccompanied Minor Refugee Shelter, in Lesvos, Greece. 

'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Metadrasi', 2016. Photo courtesy of Robert Miller.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Metadrasi', 2016. Photo courtesy of Robert Miller.

Children working on 'Khamsa' at Metadrasi's Unaccompanied Minor Refugee Shelter, in Lesvos, Greece.

Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of Amy Joy Hosterman
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of Amy Joy Hosterman
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at Community Learning Center (CLC), Bali, Indonesia, 2016. Photo courtesy of artist.
Installation at Community Learning Center (CLC), Bali, Indonesia, 2016. Photo courtesy of artist.
Installation at Community Learning Center (CLC), Bali, Indonesia, 2016. Photo courtesy of artist.
Installation at Community Learning Center (CLC), Bali, Indonesia, 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Balinese Solidarity', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Balinese Solidarity', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Balinese Solidarity', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Balinese Solidarity', 2016. Photo courtesy of artist.
Installation at Lotus Pond, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Lotus Pond, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Lotus Pond, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Lotus Pond, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.

Passing out the 'Khamsas' to a Taiwanese classroom, who agreed to pose for a photograph in solidarity with the refugees. 

Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation view 'Shirt Off Your Back' in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Khamsa (1).jpeg
'EYES for EYES: A Prototype' Installation at Garner Arts Center, May 2016
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.
Aubrey Roemer deeconstructing life jackets at Skala Sikaminias, in Lesvos, Greece, 2015. Photo courtesy of Nermin Ismail.
Aubrey Roemer drawing portraits at Children's Protection Play Center at Refugee Camp Moria, 2015. Photo courtesy of Bob Miller.
Two sisters hand's traced at Children's Protection Play Center at Refugee Camp Better Days for Moria, 2015. Photo courtesy of artist.
A refugee child's hand traced at the Child Protection Play Center at Refugee Camp Better Days for Moria, 2015. Photo courtesy of artist.
Refugee men writing prayers and protests on life jacket swatches outside of Refugee Camp Tae Kwon Doe, in Athens, 2015. Photo courtesy of artist.
Refugee men writing prayers and protests on life jacket swatches outside of Refugee Camp Tae Kwon Doe, in Athens, 2015. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation view 'Shirt Off Your Back' in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Better Days for Moria Install'
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Metadrasi', 2016. Photo courtesy of Robert Miller.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Metadrasi', 2016. Photo courtesy of Robert Miller.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of Amy Joy Hosterman
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at Community Learning Center (CLC), Bali, Indonesia, 2016. Photo courtesy of artist.
Installation at Community Learning Center (CLC), Bali, Indonesia, 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Balinese Solidarity', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Balinese Solidarity', 2016. Photo courtesy of artist.
Installation at Lotus Pond, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Lotus Pond, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation view 'Shirt Off Your Back' in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Discarded clothing, life jacket materials, Solar fast, Inkodye, tape, 2.8m x 1.6m. A collection of the eyes of refugee women and children printed on clothing discarded by refugees on Lesvos. These fabrics were collected, washed, and donated by Dirty Girls of Lesvos.

'EYES for EYES: A Prototype' Installation at Garner Arts Center, May 2016

Photo-sensitive dye on discarded bedsheets quilted to emergency blankets from Lesvos, Greece, 21' x 21' x 2''A model for a larger work documenting the eyes of the thousands of volunteers, aid workers, and benevolent witnesses to the refugee crisis in Europe. Simultaneously exhibiting the altruistic feats of humanity and standing in as a memorial for the thousands who died in crossing the Mediterranean. 

'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.

A refugee boy clutching one painting of the 99 that comprise 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project', life jacket material, emergency blanket, paint, ink, and glue, 2016. 

Aubrey Roemer deeconstructing life jackets at Skala Sikaminias, in Lesvos, Greece, 2015. Photo courtesy of Nermin Ismail.
Aubrey Roemer drawing portraits at Children's Protection Play Center at Refugee Camp Moria, 2015. Photo courtesy of Bob Miller.
Two sisters hand's traced at Children's Protection Play Center at Refugee Camp Better Days for Moria, 2015. Photo courtesy of artist.
A refugee child's hand traced at the Child Protection Play Center at Refugee Camp Better Days for Moria, 2015. Photo courtesy of artist.
Refugee men writing prayers and protests on life jacket swatches outside of Refugee Camp Tae Kwon Doe, in Athens, 2015. Photo courtesy of artist.
Refugee men writing prayers and protests on life jacket swatches outside of Refugee Camp Tae Kwon Doe, in Athens, 2015. Photo courtesy of artist.
Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) are 'Shirt Off Your Back', 'A Bed To Lie In', and 'Untitled I'. Most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project', 'Untitled III' and 'Shirt Off Your Back'. Most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project', 'Untitled III', 'Shirt Off Your Back', 'Untitled II', and 'Untited III'. Most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'A Bed To Lie In', life jacket swatches, emergency blankets, digital negatives, cardboard, and tape, 30m x 30m, 'Build A Wall', two of five stretched emergency blankets embossed with marker, and a painting by IFAC gallery owner Lee Wells. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

One of five stretched emergency blankets and marker, embossed with the following prayer "In the name of GOD, the most powerful and merciful. Make a wall between us and them, to protect us, so that they cannot see us." This was one of the 33 prayers collected from refugee men, this was translated onto the five surfaces in English, Greek, Urdu, Farsi, and Arabic. A small painting by IFAC Athina gallerist, Lee Wells, hangs in the installation. 

Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Five stretched emergency blankets and marker, embossed with the following prayer "In the name of GOD, the most powerful and merciful. Make a wall between us and them, to protect us, so that they cannot see us." This was one of the 33 prayers collected from refugee men, this was translated onto the five surfaces in English, Greek, Urdu, Farsi, and Arabic. 

Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Five stretched emergency blankets and marker, embossed with the following prayer "In the name of GOD, the most powerful and merciful. Make a wall between us and them, to protect us, so that they cannot see us." This was one of the 33 prayers collected from refugee men, this was translated onto the five surfaces in English, Greek, Urdu, Farsi, and Arabic. 

Detail of 'Build a Wall', in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Five stretched emergency blankets and marker, embossed with the following prayer "In the name of GOD, the most powerful and merciful. Make a wall between us and them, to protect us, so that they cannot see us." This was one of the 33 prayers collected from refugee men, this was translated onto the five surfaces in English, Greek, Urdu, Farsi, and Arabic. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

A collection of 99 pieces of life jacket and emergency blanket material from the Greek island of Lesvos, painted with hamsas comprised from hand tracings and eye renderings of 66 refugee women and children, along with prayers and protests from 33 refugee men. 

Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

A collection of 99 pieces of life jacket and emergency blanket material from the Greek island of Lesvos, painted with hamsas comprised from hand tracings and eye renderings of 66 refugee women and children, along with prayers and protests from 33 refugee men. 

Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

A collection of 99 pieces of life jacket and emergency blanket material from the Greek island of Lesvos, painted with hamsas comprised from hand tracings and eye renderings of 66 refugee women and children, along with prayers and protests from 33 refugee men. 

Detail of 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

A collection of 99 pieces of life jacket and emergency blanket material from the Greek island of Lesvos, painted with hamsas comprised from hand tracings and eye renderings of 66 refugee women and children, along with prayers and protests from 33 refugee men. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'Shirt Off Your Back', 'Untitled II', and 'Untitled I'. Most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) are 'Untiled II' and 'Untitled I', 2m x 3.5m, the gallery gates, cardboard and foamcore from the streets, emergency blankets, LEDS, marker and spray paint. These images are based on still photographs taken of a scrambled television screen in Qatar. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

'Untitled I', 2m x 3.5m, the gallery's gate, cardboard and foamcore from the streets, emergency blankets, LEDs, marker, and spray paint. This image is based on a still photograph taken of a scrambled television screen in Qatar.

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

'Untitled III', a gate from the gallery, cardboard and foamcore from the streets, emergency blanket, LEDs, digital negatives on acetate, tape, and spray paint, 1.8m x 54cm. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Detail of 'Untitled III', a gate from the gallery, cardboard and foamcore from the streets, emergency blanket, LEDs, digital negatives on acetate, tape, and spray paint, 1.8m x 54cm. 

Installation view of solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Pictured (from left) 'Untitled III' and 'Shirt Off Your Back', most of the materials used for the exhibition are from the detritus of the Refugee Crisis and Athens: life jacket material, emergency blanket, discarded clothing, cardboard, and gates from the gallery.

Installation view 'Shirt Off Your Back' in solo exhibition 'Khamsa' at International Fine Arts Consortium (IFAC) Athina, 2016. Photo courtesy of artist.

Discarded clothing, life jacket materials, Solar fast, Inkodye, tape, 2.8m x 1.6m. A collection of the eyes of refugee women and children printed on clothing discarded by refugees on Lesvos. These fabrics were collected, washed, and donated by Dirty Girls of Lesvos. Created from 77 photographs of eyes, which is representative of numerology associated with Jesus Christ and the most widely recognized number of branches in Islam, are the final component to this project. They represent the estimated 6,000 lives lost in the Aegean Sea.

Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
Installation at solo exhibition 'Khamsa' Ε.Δ.Ω. Creative Workshop in Athens, Greece, 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Better Days for Moria Install'
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.

A refugee girl clutching one painting of the 99 that comprise 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project'; life jacket material, emergency blanket, paint, ink, and glue, 2016. 

'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Port of Lesvos', 2016. Photo courtesy of artist.

This painting is one of 99 that comprise 'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project', made from life jacket material, emergency blanket, paint, and ink.

'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Metadrasi', 2016. Photo courtesy of Robert Miller.

Children working on 'Khamsa' at Metadrasi's Unaccompanied Minor Refugee Shelter, in Lesvos, Greece. 

'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Metadrasi', 2016. Photo courtesy of Robert Miller.

Children working on 'Khamsa' at Metadrasi's Unaccompanied Minor Refugee Shelter, in Lesvos, Greece.

Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of Amy Joy Hosterman
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at 203 Gallery, in M50 District, Shanghai, China 2016. Photo courtesy of artist.
Installation at Community Learning Center (CLC), Bali, Indonesia, 2016. Photo courtesy of artist.
Installation at Community Learning Center (CLC), Bali, Indonesia, 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Lombok Installation', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Balinese Solidarity', 2016. Photo courtesy of artist.
'Khamsa, Sadaqa Jaariyah (Endless Charity): The Refugee Crisis Portrait Project, Balinese Solidarity', 2016. Photo courtesy of artist.
Installation at Lotus Pond, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Lotus Pond, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.

Passing out the 'Khamsas' to a Taiwanese classroom, who agreed to pose for a photograph in solidarity with the refugees. 

Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
Installation at Taiwan Sugar Museum, Kaohsiung, Taiwan 2016. Photo courtesy of artist.
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